1、 Adhere to the design concept of new, fine, strange and special, and adhere to the principle of innovation.

新：即创新，有创新才能超越，抄袭、模仿是永远没有出路的；

New: that is, innovation, innovation can surpass, plagiarism and imitation will never have a way out;

精：即精品，它是高端的代名词，但不一定非要华丽或使用高端昂贵的材料。相反回归自然，朴素自然是更为流行的。；

Fine: fine, which is synonymous with high-end, but it does not have to be gorgeous or use high-end expensive materials. On the contrary, returning to nature, simple nature is more popular.;

奇：即奇异，奇妙的，意想不到的，如果您想看到这种状态，您会被它深深震撼，并且您将永远记住它的效果。

Strange: that is strange, wonderful and unexpected. If you want to see this state, you will be deeply shocked by it, and you will always remember its effect.

特：即特色，避免同质化，并在完成后形成自己非常明显的个性和特征。一旦形成了自己独特的个性和特征，别人就很难复制和模仿。

Special: that is, characteristics, avoid homogenization, and form their own very obvious personality and characteristics after completion. Once you have formed your own unique personality and characteristics, it is difficult for others to copy and imitate.

对于水上乐园的环艺包装而言“新、精、奇、特”是环境艺术包装的关键点，如果完成了这些要点，再加上水上乐园设施的娱乐性，整个水上乐园就会恢复活力。、

For the environmental art packaging of the water park, "new, fine, strange and special" is the key point of the environmental art packaging. If these key points are completed, coupled with the entertainment of the water park facilities, the whole water park will recover its vitality.

二、大小匹配且分散，并且与水上乐园设施融为一体

2、 The size is matched and scattered, and integrated with the water park facilities

环境艺术不是尽可能的大。这取决于水上乐园的整体面积。有时，较小的景观更具吸引力。设计空间相对开放的大型景观是一种常见的做法。当空间相对较小时，请设计具有匹配大小的小景观。尽管很难一次获得一个场景的感觉，但请注意视觉空间的间隔。，但是从一个空间走到另一个空间需要独特的视觉体验。

Environmental art is not as big as possible. This depends on the overall area of the water park. Sometimes smaller landscapes are more attractive. It is a common practice to design large-scale landscape with relatively open space. When the space is relatively small, please design a small landscape with matching size. Although it is difficult to get the feeling of one scene at a time, please pay attention to the spacing of visual space., But moving from one space to another requires a unique visual experience.

水上乐园的环境艺术包装景点不应太规整。尽管规则的景观有时会使人感到震惊，但在水上乐园中却不是很合适。一方面，当规模较大时，难以控制成本。另一方面，水上乐园是休闲娱乐的场所，它更加休闲和自然。

The environmental art packaging scenic spots of water park should not be too regular. Although the regular landscape can sometimes be shocking, it is not very suitable in a water park. On the one hand, when the scale is large, it is difficult to control the cost. On the other hand, water park is a place for leisure and entertainment. It is more leisure and natural.

三、把握市场需求，控制投资成本，以营销理念为设计指导

3、 Grasp the market demand, control the investment cost, and take the marketing concept as the design guidance

投资成本问题是一个现实问题。水上乐园的主角最终是水上乐园的设施。环境艺术是一种辅助功能。如果钱投入少，就没有效果，投资过多的成本很难收回。一般来说，对环境艺术的投资应占水上乐园投资总额的10％-20％，但这不是绝对的。环境艺术和水上乐园设施的投资应根据项目的位置确定。

The problem of investment cost is a realistic problem. The protagonist of the water park is the facilities of the water park. Environmental art is an auxiliary function. If less money is invested, there will be no effect, and the cost of excessive investment is difficult to recover. Generally speaking, the investment in environmental art should account for 10% - 20% of the total investment in water parks, but this is not absolute. The investment in environmental art and water park facilities shall be determined according to the location of the project.